chani: (Default)
It is an old question in art and literature. Are we what we think we are or are we being fooled and actually living a farce?

Do we really exist just because we are aware of our own existence? Are we sentient beings or the figments of someone else's imagination?

My favourite author, Jorge Luis Borges, once wrote a short story that deals with the issue. The title is "Las Ruinas Circulares" and if you don't know it you can read it online in English HERE.

I remember an old episode from The Twilight Zone in which the characters thought they were real but turned out to be toys "living" within a dollhouse. Not "real people" but the playthings of a giant and merciless child-god.

Borrowing a lot from previous films but also from books, especially Lewis Carroll's wonderful Alice In Wonderland, The Matrix told us that although people think they are living they might be asleep and used as batteries while the world they think they live in is a mere simulation generated by machines. The illusion is perfect, except for a few déjà-vu moments that give away glitches.

Battlestar Galactica, the miniseries, started with a Six asking a human "are you real?" and later Caprica showed us that there are many ways of being real, including the one in the V-world or in the game New Caprica City when you put the holoband on.

And now, a scientist, a NASA guy, is about to release a book based on the idea that we might be living in a simulated world that some future person would have built thanks to future super-computers...out of boredom. Interview with Rich Terrile, here. In the end, he says:

"And our simulated beings could also create simulations. What I find intriguing is, if there is a creator, and there will be a creator in the future and it will be us, this also means if there’s a creator for our world, here, it’s also us. This means we are both God and servants of God, and that we made it all. What I find inspiring is that, even if we are in a simulation or many orders of magnitude down in levels of simulation, somewhere along the line something escaped the primordial ooze to become us and to result in simulations that made us. And that’s cool."

Borges, who was blind and a poet, saw it all, before science men even started dreaming of it.

chani: (sunset in Tanzania)
All Our Yesterdays

“Quiero saber de quién es mi pasado.
¿De cuál de los que fui? ¿Del ginebrino
Que trazó algún hexámetro latino
Que los lustrales años han borrado?
¿Es de aquel niño que buscó en la entera
Biblioteca del padre las puntuales
Curvaturas del mapa y las ferales
Formas que son el tigre y la pantera?
¿O de aquel otro que empujó una puerta
Detrás de la que un hombre se moría
Para siempre, y besó en el blanco día
La cara que se va y la cara muerta?
Soy los que ya no son. Inútilmente
Soy en la tarde esa perdida gente.”

Jorge Luis Borges, La rosa profunda.

If you don't read Spanish, The New York Review of Books posted the poem translated into English by Robert Mezey.

chani: (Default)
Today Google celebrates my favourite author, Jorge Luis Borges...the blind man in the library who dreamt the stuff he couldn't see and wrote down what he had dreamt. He would have been 112...


"The Google Doodle shows a complex scene of an aging man overlooking great architecture from behind glass. Study the illustration and you will find a library on the right and images from “The Garden of Forking Paths,” a short story of his in which Borges describes the future in multiple ways. But, of course, he had never enjoyed the wonders of a digital computer, so even his scenes of a far-flung future have a distinctly retro feel."


http://www.csmonitor.com/Innovation/Horizons/2011/0824/Jorge-Luis-Borges-The-man-behind-the-Google-Doodle

And on Gallica (the online catalog of the BnF) it's now possible to read the first issue of Proa (1925) which was Borges' magazine.

chani: (Spike's back)
LJ ate my post!

I've been writing a review on the two last episodes of Lost for an hour, and everything is gone! I'm so frustrated and angry right now it's not even funny.

I digressed a lot and was in the middle of interpretating Lost through the Ultraist doctrine, in which the art of metaphor rules, and drawing parallels with Borges' works that are filled with miracles and fantasmagories when my post vanished.

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chani

July 2013

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