On my icon and on acting
I thought of something I heard on the radio today. It was an actor from Belgium (but mostly working in France), Benoit Poelvoorde speaking. He's starring in an intimist movie these days while he used to overact a lot in comedies until now. I may go to see that film.
He said that the best actors must trust their body, and when they are really into a character they can let their talent go through them and simply ooze and that they can be filmed from behind, and even then, they are great, from the back they are still talented.
I think this applies to my icon. Besides having, obviously, a beautiful back, James Marsters was really talented on this shot.
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Of course, James is a brilliant actor no matter what, but his entire time as Spike I think can be summed up in this scene. It really showcased James' talent, and the other actors on the show should just stand back and watch the master. They really couldn't compare.
Ok.... I'm getting intense, I know, but I feel so strongly about that scene that I just can't help myself.
I think it was one of (if not the) best scenes ever filmed on BtVS.
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Kathleen
I can not breathe when watching that scene in fact because of the raw realness of it.
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As for me I have a big spot for the William scene in FFL. I mean everything in the BY scene was meant to make the scene intense, to build a dramatic atmosphere: Buffy herself, the dialogue, the set, the light...
But in FFL the scene is so simple...it's just the way William is sitting near Cecily (JM's body language is terrific then), the way he nods at her. All James' talent is in this simple nod IMO.
Now I'm the one getting intense, but I feel strongly about sweet William!
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Love,
Kathleen
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Actors get a lot of classes on how to use their body. You really have to use it all to become someone else. You have to leave your own ticks and little walks and movements behind or you'll be you saying someone else's lines. It's grand when you see someone walking on stage and becoming someone else.
It's also why we don't recognise the actors when se cross them in the street. Not only do they miss their makeup and certain set of clothes, but they behave differently, walk differently, sometimes even more timid. A lot of great actors tend to blend in when they aren't on stage. It is only there that they truely come alive in the skin and mannerisms of another.
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But he never did a film in which he was in love and didn't talk much until "Entre ses Mains" with Isabelle Carré.
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